The attendees asked intriguing questions during the opening reception hosted by Ember Gallery in Winston-Salem.
An attendee's reaction at the opening reception is captured in Katherine Hagen's photo.
The documentation process adds a spooky cast to this piece.
Placement of form is finalized and the color is developed.
-- a peek into the preliminary.
It's a rose colored overcast outlook when death is seeking.
A higher up in the underworld makes his mark.
-- graphite and acrylic collide and hold hands.
bleeding hearts hover
What if rainbows are the link between heaven and hell?
Going Down debuted at Ember Gallery in Winston-Salem, NC.
-- such a lovely way to die.
Those horns are real.
See the layers in this mixed media piece.
Everyone wins when a piece of art gains a home. Image by Katherine Hagen.
-- and she will not f-ck with you.
Lotsa layers span two panels for this piece.
-- when one loves the bittersweet of going down.
The early stage of this piece reveals the pinkness.
-- laughing all the way home.
-- a large, enveloping span unfurls as another card is pulled.
This is one of the first artworks from the series.
The fangs peek.
Her horns levitate.
You are in charge of making it happen. It will take your whole life.
Robotic. Can't stop it.
This preliminary sketch depicts the search for the elements to various demon facial features.
Sometimes what happens off-screen contains the biggest punchline.
preliminary sketch
preliminary sketch
The demons started arriving via the sketchbook.
